"A Foggy Fall Morning" is a dreamlike impressionist landscape where the boundaries between night and day blur into a soft, poetic hush. At its heart, the full moon and the rising sun share the same sky — one fading, the other awakening — casting a diffused, silvery-golden light over the entire scene. A gentle fog drapes itself across the quiet pond like a veil, softening every edge and muffling the world into stillness. Trees in the distance stand like silent guardians, their forms barely visible, dissolving into the mist. Reflections ripple subtly in the water, echoing the pale light above and deepening the sense of serenity. The palette is composed of soft blues, muted greys, lavender undertones, and faint hints of amber and rose — each brushstroke layered to evoke atmosphere rather than form. There is no sharp line, no loud colour, only the tender suggestion of nature waking slowly under the fog’s protective cover. This painting doesn’t just depict a place — it captures a feeling: that sacred pause between darkness and daylight, where time seems to hold its breath and the world is at peace.